![]() ![]() A lot of it is sitting around contemplating, waiting, trying to figure things out, and if the audience gets impatient it's not due to the filmmaker's making it bungled but because the characters are having trouble figuring it out too, and we feel for them. But then the next problem comes as how to destroy them? It's this section of the film, after a very entertaining section where the three go in disguise as full-grown-ups (a funny and intense scene in the Ministry of Magic), that it gets into a rhythm that is not what one would expect in a big- budget holiday blockbuster. That, and the main 'plot' being that Harry has to find the horcruxes, which are items that could be used by Voldemort for very evil purposes. I kid a little, but it is a movie with a lot of black contours and desolation, as the trio might be walking through the British version of The Road minus some of the gray-scale photography. Empire Strikes Back) is the darkest one, but there was a quasi-dark ending to Half-Blood Prince, so it makes more sense that the filmmakers take Rowling's Deathly Hallows and turn it into what it should be: a ripping good apocalypse yarn. ![]() It's usually that the mid-point movie (i.e. So it should make some sense that by the time the seventh book has come around that it's coming down to the wire: the big showdown between Harry and the Man-We-Don't-Speak- His-Name, oh, whatever, Voldemort. ![]() As Harry and Ron and Hermoine and everyone else has grown up, so have the audiences with the Potter franchise. ![]()
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